# Crossing at Sano

- By: Tawaraya Sōtatsu (Japanese, c. 1570–c. 1640)
- Date: c. 1600–1640
- Medium: Hanging scroll mounted as a single-panel screen; ink, color, and gold on paper
- Classification: Painting
- Dimensions: Overall: 161.7 x 139.2 x 46.3 cm (63 11/16 x 54 13/16 x 18 1/4 in.); Diameter of base: 46.3 cm (18 1/4 in.); Painting only: 125.9 x 121.4 cm (49 9/16 x 47 13/16 in.); with frame: 151.9 x 130.1 x 3.2 cm (59 13/16 x 51 1/4 x 1 1/4 in.)
- Culture: Japan, Edo period (1615–1868)
- Credit line: John L. Severance Fund
- Museum: [Cleveland Museum of Art](https://clevelandart.org/art/1949.554)
- Rights: [Public domain (CC0)](https://creativecommons.org/publicdomain/zero/1.0/)
- Picture: https://invisiblenetwork.ai/thumbs/cma/1949.554/1949.554_web.jpg
- Who can see it: Teens profiles and older (museums give no ratings; placed by Invisible Network from the museum's own words)

Like many paintings from the Sōtatsu studio, a Kyoto-based atelier that ran the shop Tawaraya, this one is done in ink, mineral colors, and gold, and is formally reminiscent of 12th- and 13th-century paintings associated with the Japanese aristocracy. It depicts a man on horseback with two attendants crossing a bridge that once spanned the Kino River in Sano in eastern Wakayama Prefecture. The composition was inspired by a poem by Fujiwara no Teika (1162–1241) that translates as follows:

I stop my horse, but there is no shelter as I brush off my sleeves at Sano Crossing in the evening snow.