# Preaching Amitabha with Avalokiteshvara and Manjushri, folio 186 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

- Date: Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)
- Medium: Gum tempera and ink on palm leaf
- Classification: Painting
- Dimensions: Leaf: 5.5 x 54.6 cm (2 3/16 x 21 1/2 in.)
- Culture: Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu
- Credit line: Purchase from the J. H. Wade Fund
- Museum: [Cleveland Museum of Art](https://clevelandart.org/art/1938.301.186.b)
- Rights: [Public domain (CC0)](https://creativecommons.org/publicdomain/zero/1.0/)
- Picture: https://invisiblenetwork.ai/thumbs/cma/1938.301.186.b/1938.301.186.b_web.jpg
- Who can see it: Teens profiles and older (museums give no ratings; placed by Invisible Network from the museum's own words)

The red Buddha Amitabha is seated under a tree on a throne in the middle of the upper page; two geese—his animal emblems—perch at the top on either side. A white and red bodhisattva are on either side.

This manuscript, consisting of 188 double-sided folios, was calligraphed by a scribe at a monastery in northeastern India, commissioned by a monk from Nepal. Judging from the style of the paintings, they are the work of Nepalese artists.