# The Fall of the Clyde, plate 18 from Liber Studiorum

- By: Joseph Mallord William Turner (engraved by Charles Turner (English, 1773-1857))
- Date: published March 29, 1809
- Medium: Mezzotint and etching on ivory paper, laid down on ivory paper
- Classification: Print
- Dimensions: Image: 18.1 × 26.3 cm (7 3/16 × 10 3/8 in.); Plate: 20.9 × 29.1 cm (8 1/4 × 11 1/2 in.); Primary support: 25.9 × 36.2 cm (10 1/4 × 14 1/4 in.); Secondary support: 30.5 × 40.6 cm (12 1/16 × 16 in.)
- Culture: England
- Credit line: The Joseph Brooks Fair Collection
- Museum: [Art Institute of Chicago](https://www.artic.edu/artworks/71667)
- Rights: [Public domain (CC0)](https://creativecommons.org/publicdomain/zero/1.0/)
- Picture: https://www.artic.edu/iiif/2/07e7ee25-b509-9748-192e-08eb338ad87b/full/!1920,1080/0/default.jpg
- Who can see it: Teens profiles and older (museums give no ratings; placed by Invisible Network from the museum's own words)

J. M. W. Turner is known primarily as a painter, but demonstrated his passion for landscape through printmaking in this mezzotint, which comes from a series of 71 prints called Liber Studiorum (Book of Studies). Turner categorized the types of landscape with a lettering system at the top of each sheet: A (Architectural), H (Historical), M (Marine or Mountainous), P (Pastoral), and the more obscure EP (Epic Pastoral). The play of light and shade on the water, mountains, fields, and distant views exemplifies Turner’s approach to landscape as an emotive interpretation of reality rather than a topographically accurate one. He chose to use mezzotint, an engraving process that creates tonal gradations similar to the effects of oil painting, to emphasize these light and dark effects.

Description © Art Institute of Chicago, CC BY 4.0