# Jesus Mocked by the Soldiers

- By: Édouard Manet (French, 1832–1883)
- Date: 1865
- Medium: Oil on canvas
- Classification: Painting
- Dimensions: 190.8 × 148.3 cm (74 7/8 × 58 3/8 in.); Framed: 240.1 × 196.9 cm (94 1/2 × 77 1/2 in.)
- Culture: France
- Credit line: Gift of James Deering
- Museum: [Art Institute of Chicago](https://www.artic.edu/artworks/16499)
- Rights: [Public domain (CC0)](https://creativecommons.org/publicdomain/zero/1.0/)
- Picture: https://www.artic.edu/iiif/2/4d03ba14-a01a-d003-404a-cf3f9fb40ede/full/!1920,1080/0/default.jpg
- Who can see it: Adult profiles and older (museums give no ratings; placed by Invisible Network from the museum's own words)

Throughout his career Édouard Manet managed to shock and confound the public with his bold technique and unorthodox approach to subject matter. The most startling feature of this painting is that he painted it at all. Following the advent of the Realist movement, which grounded art in the here and now, avant-garde artists in France did not pursue religious themes. While Manet was primarily a painter of secular subjects, he was also interested in art history, which led him on at least two occasions to depict the biblical narratives that had compelled artists for many centuries. This work might also have been inspired by the popular 1863 biography Vie de Jésus (Life of Jesus) by the French philosopher and historian Joseph-Ernest Renan, a controversial work that emphasized Christ’s humanity.

Here, Manet depicted Jesus at the end of his life, beaten and awaiting crucifixion. The Roman soldiers force him to don a crown of thorns and proffer a reed “scepter” and purple cloak, all intended to ridicule him as “King of the Jews,” a title bestowed ironically by his tormenters. Manet transformed this sacred narrative into a gritty drama that marries realism with theatricality. He presented…

Description © Art Institute of Chicago, CC BY 4.0