# Plaque

- By: John Bennett (American, born England, 1840–1907)
- Date: 1879
- Medium: Earthenware, glaze, slip, and enamel
- Classification: Ceramics
- Dimensions: H.: 46.7 cm (18 3/8 in.)
- Culture: New York City
- Credit line: Through prior acquisitions of the George F. Harding Collection, an anonymous donor, Bessie Bennett, Mrs. William Blood, Emily Crane Chadbourne, Milton Straus, Elizabeth R. Vaughan, Behrend/Sanford Auction and Thorne Rooms Exhibition funds
- Museum: [Art Institute of Chicago](https://www.artic.edu/artworks/150063)
- Rights: [Public domain (CC0)](https://creativecommons.org/publicdomain/zero/1.0/)
- Picture: https://www.artic.edu/iiif/2/502cace7-3cb7-82c6-b9d6-4ceb51e268ca/full/!1920,1080/0/default.jpg
- Who can see it: Little Ones profiles and older (museums give no ratings; placed by Invisible Network from the museum's own words)

English ceramist John Bennett created the distinct style of this floral plaque by painting the design in tinted slip, or liquid clay and then finishing it with a clear glaze. Bennett first developed this technique while working at the London pottery firm Doulton and Company, but after exhibiting “Bennett ware” to great acclaim at the 1876 Philadelphia Centennial Exhibition, the artist to relocated to New York. This plaque, produced shortly after he arrived in the United States, reveals his ongoing indebtedness to British Aesthetic Movement design, which looked to nature and often involved dense, all-over floral and foliage motifs.

Description © Art Institute of Chicago, CC BY 4.0