# The Beach at Sainte-Adresse

- By: Claude Monet (French, 1840–1926)
- Date: 1867
- Medium: Oil on canvas
- Classification: Painting
- Dimensions: 75.8 × 102.5 cm (29 13/16 × 40 5/16 in.); Framed: 104.1 × 130.2 × 11.4 cm (41 × 51 1/2 × 4 1/2 in.)
- Culture: France
- Credit line: Mr. and Mrs. Lewis Larned Coburn Memorial Collection
- Museum: [Art Institute of Chicago](https://www.artic.edu/artworks/14598)
- Rights: [Public domain (CC0)](https://creativecommons.org/publicdomain/zero/1.0/)
- Picture: https://www.artic.edu/iiif/2/95be2572-b53d-8e7b-abc9-10eb48d4fa5d/full/!1920,1080/0/default.jpg
- Who can see it: Tweens profiles and older (museums give no ratings; placed by Invisible Network from the museum's own words)

In the summer of 1867, Claude Monet stayed with his aunt at Sainte-Adresse, an affluent suburb of the port city Le Havre in northern France. The artist was familiar with the landscape, having grown up in the area, but the region changed significantly during his lifetime. The expansion of the country’s rail network turned this small, rural fishing village into a seaside resort for tourists. Here, Monet hinted at this transformation. The viewer is immediately drawn to the visible aspects of local life—dark-sailed fishing boats drift in the water, with groups of fishermen, their equipment, and other craft on the shore. The beached boats frame two figures sitting on the shoreline, highlighted by a few strokes of red and yellow paint: a man in a dark hat and suit looks through a telescope, accompanied by a woman wearing a straw hat with a scarlet ribbon. The presence of this couple—undoubtedly vacationers, given their fashionable attire—changes what might have been a traditional coastal scene into a painting of modern life, one of the artist’s first explorations of tourism.

Monet began this painting outdoors and revised it later in his studio. Conservation research has revealed that he…

Description © Art Institute of Chicago, CC BY 4.0