# Stéphane Mallarmé

- By: Edvard Munch (printed by Auguste Clot (French, 1858-1936))
- Date: 1897
- Medium: Transfer lithograph with crayon and scraping in green on cream Japanese paper
- Classification: Print
- Dimensions: Image: 37.3 × 29.2 cm (14 11/16 × 11 1/2 in.); Sheet: 63.7 × 43.8 cm (25 1/8 × 17 1/4 in.)
- Culture: Norway
- Credit line: Stanley Field Collection
- Museum: [Art Institute of Chicago](https://www.artic.edu/artworks/13521)
- Rights: [Public domain (CC0)](https://creativecommons.org/publicdomain/zero/1.0/)
- Picture: https://invisiblenetwork.ai/thumbs/web/ab56942509cd91ad91ffe4dca80c2b4e.jpg
- Who can see it: Teens profiles and older (museums give no ratings; placed by Invisible Network from the museum's own words)

Stéphane Mallarmé is today considered one of France’s most important poets of the second half of the nineteenth century. Although he was known for the obscure imagery and difficult syntax of his verse, Mallarmé enjoyed the friendship of other modern thinkers, in particular, Impressionist and Post-Impressionist artists such as Édouard Manet, Pierre-Auguste Renoir, Odilon Redon, Edgar Degas, Paul Gauguin, and James McNeill Whistler. Despite the fact that much of his poetry is unabashedly extreme and difficult to decipher, artists continue, to this day, to turn to his evocative verse for inspiration.

Edvard Munch met Mallarmé during a trip to Paris in 1896–97, and he became a regular guest at Mallarmé’s Tuesday night soirees, where he mingled with other visionaries of the day such as August Strindberg and Vincent van Gogh. In this portrait, Munch depicted the poet as a disembodied head, floating almost mystically. The use of green ink recalls the faded green accouterments of Mallarmé’s study. Of this portrait Munch said, “I drew him in half-shadow which matched his character.” Though it is not known whether this was a commissioned portrait, it might have been intended for the…

Description © Art Institute of Chicago, CC BY 4.0