# Flowering Cherry and Autumn Maples with Poem Slips

- By: Tosa Mitsuoki (Japanese, 1617-1691)
- Date: 1654/81
- Medium: Pair of six-panel screens; ink, color, gold and silver on silk
- Classification: Painting
- Dimensions: Each: 144 × 286 cm (56 3/4 × 112 5/8 in.)
- Culture: Japan
- Credit line: Kate S. Buckingham Endowment
- Museum: [Art Institute of Chicago](https://www.artic.edu/artworks/127643)
- Rights: [Public domain (CC0)](https://creativecommons.org/publicdomain/zero/1.0/)
- Picture: https://www.artic.edu/iiif/2/86e919b9-d366-b3ca-d26f-4c16880474a3/full/!1920,1080/0/default.jpg
- Who can see it: Little Ones profiles and older (museums give no ratings; placed by Invisible Network from the museum's own words)

Japanese aristocrats engaged in the elegant custom of recollecting classical poetry while viewing spring and autumn foliage. In these delicate screens, premier court painter Tosa Mitsuoki meditated on the inevitable passage of beauty by depicting the melancholy hours after the departure of reveling courtiers. A cherry tree bursts into bloom on the right screen, while its mate displays the brilliant red and gold foliage of maples in autumn. Slips of poetry, called tanzaku, waft from the blossoming limbs, the remaining evidence of a human presence. Courtiers (whose names are recorded in a seventeenth-century document) assisted Mitsuoki by inscribing the narrow strips with quotations of appropriate seasonal poetry from twelfth- and thirteenth-century anthologies. The screens were either commissioned by or given to Tofukumon’in (1607–1678), a daughter of the Tokugawa shogun who married the emperor Gomizunoo (1596–1680). In an era otherwise marked by increasing control of the feudal shogunate over imperial prerogatives, this royal couple encouraged a renaissance of courtly taste that nostalgically evoked the past glories of early-medieval aristocratic life.

Description © Art Institute of Chicago, CC BY 4.0