# Seated Bodhisattva

- By: Japan
- Date: 8th century
- Medium: Wood core, dry lacquer, traces of gold leaf
- Classification: Sculpture
- Dimensions: 61 × 43.2 × 32.3 cm (24 × 17 × 12 3/4 in.)
- Culture: Japan
- Credit line: Kate S. Buckingham Endowment
- Museum: [Art Institute of Chicago](https://www.artic.edu/artworks/111380)
- Rights: [Public domain (CC0)](https://creativecommons.org/publicdomain/zero/1.0/)
- Picture: https://www.artic.edu/iiif/2/1d30ac4e-c91c-d91d-705f-acdce9e6efb4/full/!1776,1080/0/default.jpg
- Who can see it: Tweens profiles and older (museums give no ratings; placed by Invisible Network from the museum's own words)

This rare and important sculpture represents a Buddhist bodhisattva, or bosatsu, an enlightened and compassionate being who postponed Buddhahood in order to help save others. Calm, stately, and full-bodied, the bosatsu is seated in a frontal, meditative pose; his gracefully held hands, raised midair, make a gesture of assurance. Buddhism, which originated in India with the teachings of the Buddha Sakyamuni, or Siddhartha Gautama (c. 563-c. 483 B.C.), was named the official religion of Japan at the beginning of the eighth century by the Emperor Shomu (701-56). This small, finely crafted lacquer figure is the only Buddhist sculpture outside Japan that is firmly attributed to the influential sculpture workshop of Todai-ji, the largest and most prestigious of the great state-sponsored Buddhist temples built during the Nara period. This sculpture represents a dramatic shift in Japanese sculptural tradition—a move away from the expensive, time-consuming technique of using lacquer (a resin extracted from the sap of a tree) over a temporary clay core that, once removed, left a sculpture that was completely hollow except for perhaps a wood bracing system. Here a sculpted wood core is…

Description © Art Institute of Chicago, CC BY 4.0
