# Veranda Post (Òpó Ògògá)

- By: Olowe of Ise (Yòrùbá: Èkìtì; Ikere, Nigeria; Coastal West Africa)
- Date: 1910-14
- Medium: Wood and pigment
- Classification: Sculpture
- Dimensions: 152.5 × 31.8 × 40.6 cm (60 × 12 1/2 × 16 in.)
- Culture: Ikere
- Credit line: The Art Institute of Chicago, Major Acquisitions Centennial Fund
- Museum: [Art Institute of Chicago](https://www.artic.edu/artworks/102611)
- Rights: [Public domain (CC0)](https://creativecommons.org/publicdomain/zero/1.0/)
- Picture: https://www.artic.edu/iiif/2/fec5d023-0b46-45df-eb57-cbf64e24121d/full/!1920,1080/0/default.jpg
- Who can see it: Teens profiles and older (museums give no ratings; placed by Invisible Network from the museum's own words)

One of four posts sculpted for the palace of the king (ogoga) of Ikere, this evocative image of the Yoruba concept of a divine ruler is a masterwork of Olowe of Ise. The renowned artist’s dynamic style can be distinguished by the interrelationships between figures, their exaggerated proportions, and the use of open space. The sculptor’s diminutive portrayal of the king suggests his dependence on others, and his crown has been emphasized to evoke the spiritual power residing within it. The towering image of the king’s senior wife standing behind him underscores her superior status as a guardian of her husband’s interests, endowed with keen political understanding and supernatural knowledge. She would have placed the crown on the king’s head during his enthronement ceremony. The smaller figures at the king’s feet represent one of his junior wives and the flute-playing trickster god Eshu.

Description © Art Institute of Chicago, CC BY 4.0