# Paintings 38,286 works. - [Full Sail on the Misty River](https://invisiblenetwork.ai/art/work/cma/160132) (Xia Sheng · 1200s, Cleveland) - [Buffalo and Boy in Autumnal Landscape](https://invisiblenetwork.ai/art/work/cma/160125) (Yan Ciping · 1127–1279, Cleveland) - [Watching the Deer by a Pine Shaded Stream](https://invisiblenetwork.ai/art/work/cma/160127) (Ma Yuan · 1127–1279, Cleveland) - [Magpies and Wild Rabbits](https://invisiblenetwork.ai/art/work/cma/160126) (Li Yong · 1200s, Cleveland) - [Four bodhisattvas and two attendants flanking Vajrasattva, bottom cover, from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)](https://invisiblenetwork.ai/art/work/cma/522129) (Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina), Cleveland) - [Schuurplank](https://invisiblenetwork.ai/art/work/rijks/BK-NM-11177-9) (Willem van Strant · c. 1730, Rijksmuseum) - [Stoffer](https://invisiblenetwork.ai/art/work/rijks/BK-NM-11177-4) (Willem van Strant · 1735, Rijksmuseum) - [Stofblik](https://invisiblenetwork.ai/art/work/rijks/BK-NM-11177-6) (Johannes Adrianus van Geffen · 1772, Rijksmuseum) - [Haardtang](https://invisiblenetwork.ai/art/work/rijks/BK-NM-11177-1) (Arnoldus van Geffen · 1760, Rijksmuseum) - [Stoffer](https://invisiblenetwork.ai/art/work/rijks/BK-NM-11177-3) (Jan Borduur · 1743, Rijksmuseum) - [Haardtang](https://invisiblenetwork.ai/art/work/rijks/BK-NM-11177-2) (Johannes Adrianus van Geffen · c. 1766 - c. 1798, Rijksmuseum) - [Daoist Retreat in Mountain and Stream (Landscape after Ni Zan \[1301–1374\])](https://invisiblenetwork.ai/art/work/cma/138542) (Lu Zhi · 1567, Cleveland) - [Old Trees by a Cool Spring](https://invisiblenetwork.ai/art/work/cma/145207) (Li Shixing · 1326, Cleveland) - [Friends of Krishna, folio 163 from a Bhakti Ratnavali of Vishnu Puri](https://invisiblenetwork.ai/art/work/cma/145241) (1725–50, Cleveland) - [Queen Trishala's Grief and Happiness, Folio 29 (recto), from a Kalpa-sutra](https://invisiblenetwork.ai/art/work/cma/113029) (c. 1475–1500, Cleveland) - [The Fourteen Dreams of Queen Trishala, folio 14 (recto), from a Kalpa-sutra](https://invisiblenetwork.ai/art/work/cma/113039) (c. 1475–1500, Cleveland) - [Café Singer](https://invisiblenetwork.ai/art/work/aic/84076) (Hilaire Germain Edgar Degas · 1879, Art Institute of Chicago) - [King Siddhartha and Queen Trishala Sit Alone to Discuss Her Dreams, Folio 24 (recto), from a Kalpa-sutra](https://invisiblenetwork.ai/art/work/cma/113095) (c. 1475–1500, Cleveland) - [Mountain Landscape in Moonlight](https://invisiblenetwork.ai/art/work/cma/153729) (1200s, Cleveland) - [Ketel](https://invisiblenetwork.ai/art/work/rijks/BK-14913-F-A) (Arnoldus van Geffen · 1761, Rijksmuseum) - [Portrait of the Katchef Dahouth, Christian Mameluke](https://invisiblenetwork.ai/art/work/aic/105604) (Anne-Louis Girodet de Roussy-Trioson · 1804, Art Institute of Chicago) - [The Brahman gives an account of his falling in love with the king of Babylon’s daughter to his friend, the magician, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night](https://invisiblenetwork.ai/art/work/cma/137641) (c. 1560, Cleveland) - [The magician, disguised as a Brahman, visits the king of Babylon, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night](https://invisiblenetwork.ai/art/work/cma/137643) (c. 1560, Cleveland) - [The magician disguised as a Brahman returns to claim his “daughter-in-law,” from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night](https://invisiblenetwork.ai/art/work/cma/137648) (c. 1560, Cleveland) - [The king dreams of a lady, the personification of wealth, departing from him on account of his purchasing a bowl and a staff from a yogi, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night](https://invisiblenetwork.ai/art/work/cma/137653) (c. 1560, Cleveland) - [The parrot addresses Khujasta at the beginning of the thirty-sixth night, from a Tuti-nama (Tales of a Parrot)](https://invisiblenetwork.ai/art/work/cma/137650) (c. 1560, Cleveland) - [Mahrusa’s marriage to the prefect of the city, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night](https://invisiblenetwork.ai/art/work/cma/137657) (c. 1560, Cleveland) - [The king of Zabul sees Mahrusa from his palace balcony, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night](https://invisiblenetwork.ai/art/work/cma/137658) (c. 1560, Cleveland) - [The prince, a son of the ruler of Sistan, enters the service of a snake, from a Tuti-nama (Tales of a Parrot): Thirty-seventh Night](https://invisiblenetwork.ai/art/work/cma/137667) (c. 1560, Cleveland) - [The parrot addresses Khujasta at the beginning of the thirty-seventh night, from a Tuti-nama (Tales of a Parrot)](https://invisiblenetwork.ai/art/work/cma/137662) (c. 1560, Cleveland) - [The parrot addresses Khujasta at the beginning of the thirty-eighth night, from a Tuti-nama (Tales of a Parrot)](https://invisiblenetwork.ai/art/work/cma/137670) (c. 1560, Cleveland) - [The parrot addresses Khujasta at the beginning of the thirty-third night, from a Tuti-nama (Tales of a Parrot)](https://invisiblenetwork.ai/art/work/cma/137609) (c. 1560, Cleveland) - [Khurshid reunited with her husband Utarid, from a Tuti-nama (Tales of a Parrot): Thirty-second Night](https://invisiblenetwork.ai/art/work/cma/137607) (c. 1560, Cleveland) - [Kaiwan, Latif, and Sharif arrive at a house of worship, where they seek help from Khurshid who has become a mystical healer, from a Tuti-Nama (Tales of a Parrot): Thirty-second Night](https://invisiblenetwork.ai/art/work/cma/137601) (c. 1560, Cleveland) - [Hearing her declaration of love, Ayaz falls at the feet of Mahmuda at the holy shrine. The scene is witnessed by Salim, Ayaz’s friend, and a maid, from a Tuti-nama (Tales of a Parrot): Thirty-third Night](https://invisiblenetwork.ai/art/work/cma/137618) (c. 1560, Cleveland) - [Preparation for the marriage of Mahmuda to the Young Vizier, from a Tuti-nama (Tales of a Parrot): Thirty-third Night](https://invisiblenetwork.ai/art/work/cma/137613) (c. 1560, Cleveland) - [The parrot addresses Khujasta at the beginning of the thirty-fourth night, from a Tuti-nama (Tales of a Parrot)](https://invisiblenetwork.ai/art/work/cma/137623) (c. 1560, Cleveland) - [The two couples reach a foreign city where they make their home, from a Tuti-nama (Tales of a Parrot): Thirty-third Night](https://invisiblenetwork.ai/art/work/cma/137620) (c. 1560, Cleveland) - [The two couples reach a foreign city where they make their home, from a Tuti-nama (Tales of a Parrot): Thirty-third Night](https://invisiblenetwork.ai/art/work/cma/137621) (c. 1560, Cleveland) - [The three young men present themselves as suitors for the hand of Zuhra, the daughter of the merchant of Kabul, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night](https://invisiblenetwork.ai/art/work/cma/137626) (c. 1560, Cleveland) - [The third suitor, who is an archer, shoots the wicked fairy who has imprisoned Zuhra. He rides on a magic horse prepared by the second suitor and is led to the spot by the divining prowess of the first, from a Tuti-nama (Tales of a…](https://invisiblenetwork.ai/art/work/cma/137628) (c. 1560, Cleveland) - [The goldsmith judged; the bear cubs trained by the carpenter as though they were his sons, from a Tuti-nama (Tales of a Parrot): Third Night](https://invisiblenetwork.ai/art/work/cma/137636) (c. 1560, Cleveland) - [The Raja’s son vows to sever his head and offer it to the image if he is united with the princess he has seen in the temple, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night](https://invisiblenetwork.ai/art/work/cma/137630) (c. 1560, Cleveland) - [The queen of Rum watches the peahen prefer to burn rather than abandon her eggs while the peacock flees the nest, from a Tuti-nama (Tales of a Parrot): Thirty-ninth Night](https://invisiblenetwork.ai/art/work/cma/137685) (c. 1560, Cleveland) - [The painting made by the vizier of the emperor of China for the queen of Rum, from a Tuti-nama (Tales of a Parrot): Thirty-ninth Night](https://invisiblenetwork.ai/art/work/cma/137689) (c. 1560, Cleveland) - [The mendicant’s wife deceives him with a soldier, from a Tuti-nama (Tales of a Parrot): Fourth Night](https://invisiblenetwork.ai/art/work/cma/137697) (c. 1560, Cleveland) - [Shahr-Arai and her lover dallying on a bed beneath which is concealed her husband, from a Tuti-nama (Tales of a Parrot): Fortieth Night](https://invisiblenetwork.ai/art/work/cma/137695) (c. 1560, Cleveland) - [The parrot addresses Khujasta at the beginning of the fortieth night, from a Tuti-nama (Tales of a Parrot)](https://invisiblenetwork.ai/art/work/cma/137692) (c. 1560, Cleveland) [Next page](https://invisiblenetwork.ai/art/browse?medium=painting&page=158)